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Nevertheless, she persisted. This calendar is more than a photographic paean to the female form. Whimple is comprised of winding lanes dotted with thatch-roofed whitewashed cottages with the occasional farm thrown in for good measure.

But, beyond the chocolate box prettiness of the village, its 1, inhabitants have been working hard to acknowledge and embrace the beauty of their own bodies.

It's by no means been an overnight flick-of-a-switch process for many of the people involved. Gill Wilson— an eating disorders therapist—is the woman behind the movement.

It all started in January , when Gill organised screenings of a documentary in the village called Embrace. The film—created by Australian activist Taryn Brumfitt after a successful Kickstarter campaign—explores the issue of "body loathing" and aims to inspire people to change the way they think and feel about their bodies.

The research found that more than one-third of UK girls are unhappy with the way they look, a 30 percent rise over five years.

One of which was a calendar. But, the idea of the calendar presented a solution to the licence issue—the proceeds raised by the Wonders of Whimple could pay for licences.

Word of the calendar spread through the village, and slowly but surely people came forward and signed up to take part in it.

This was exactly how Bartlett-Horwood came to be involved in the calendar. Her bravery—and that of the women who took part in the calendar—has not gone unnoticed in the village.

The idea just popped into my head, 'I'm ready. I want to have sex. I really enjoyed it. Afterwards, I called my friend and told her what happened.

She asked, "Are you okay? I was like, "I feel great! It was the topic of conversation at school on Monday morning.

I walked into the cafeteria, and a senior who was sitting at a table of other senior guys yelled from across the room, "Hey, Winnie.

You're walking kind of funny. I shouted, "F you! Dave must have told people we slept together. I never confronted him.

I didn't understand why it was such a big deal to everyone else. People hooked up all the time at my school — you start texting on the weekends, as if you're dating, then you hook up, and on Monday, you don't even make eye contact.

All my friends did it. I didn't feel bad or "used. I didn't have feelings for him. He didn't even speak to me in school. We saw each other every weekend, but never said we were dating.

Our school was more of a hookup culture, but our relationship wasn't a one-off thing either. Sean told Dave about us, out of guilt, and then things got crazy.

I'd be at these parties where senior guys would come up to me, and say, "You're a whore. How could you do that to Dave? How dare you! Is this real?

It wasn't just parties. A friend texted one day, "Don't go on Facebook. I started shaking as I scrolled through the list of likers — I didn't know anyone.

It was horrible. I was like, 'Who are these people? I couldn't wrap my head around it, and I certainly couldn't write an essay after that.

Sean never brought it up, which felt like a huge betrayal. And I did not ask him about it. He was older, and I was a little intimidated.

Plus, we had a really dysfunctional relationship. We continued to hang out every weekend, but still didn't say we were "together. It sucked, because I knew that his girl friends would talk about me in front of him.

He told me they did — but he never responded, which was hurtful. He never stood up for me publicly — except once. It was early on in our relationship, and an older boy said, "Don't even talk to this whore.

Dave's your friend. I appreciated that. I was an underclassman, and the older girls were the most hurtful. The only reason my friends and I even got invited to parties was because guys wanted to hook up with us — and the older girls hated that.

This one group of senior girls ran the Women's Forum Club at my school and hosted talks on feminism, but then would call me a whore at parties.

I was confident, but not to the point of, 'I'm fine — you're just stupid. A lot of it was my own paranoia — it felt like people were talking about me all the time.

And then there were those instances where I'd be washing my hands in the bathroom, and a girl would stare at me with her arms crossed, not saying anything.

Or, the groups of older girls would blatantly ignore me when I showed up at parties. I felt this awkward tension everywhere and started having anxiety.

I also lost my work ethic. I go to a very good private school and my teachers expect me to do well, so they were perplexed when I stopped turning in assignments.

A few gave me extra chances — one even let me turn in a major assignment late, but I just could not sit down and do the work.

I was a mess. That year, I failed history and Spanish. My mom saw I was struggling. She's a strong feminist.

I finally confided in her about what was happening. She said, "If you went into having sex feeling confident, there's no reason why you should change your perspective now.

I didn't do anything wrong. I never felt that internal turmoil. She was like, "It's your life. It's your body. It's your sexuality.

I'm in a theater group called The Arts Effect that also really helped me understand my feelings. Sex is so stigmatized at my high school — everyone is doing it, but no one talks about it in a real way.

I never had a chance to really break down how I was feeling about losing my virginity or being slut-shamed until we started to work on a play about slut culture.

Katie Cappiello and Meg McInerny started The Arts Effect specifically to work with young girls about issues like these that affect them. We create scripts based on topics that teen girls relate to and then develop them into plays by discussing and debating these ideas.

My sophomore year, conversations around sex were really prevalent in my theater group— cast members and friends had experienced sexual violence.

It was very real, and Slut the Play started with these conversations and grew into a play about a girl called Joey who is raped by two friends in the back of a cab on her way to a party, and the fall out from that.

I was cast as Joey. I had never been sexually assaulted, but I'd certainly felt betrayed, and violated. I'd also been uncomfortable while hooking up with certain guys.

I didn't say no, but was like, 'When is this going to be over? This is awful.

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I appreciated that. I was an underclassman, and the older girls were the most hurtful. The only reason my friends and I even got invited to parties was because guys wanted to hook up with us — and the older girls hated that.

This one group of senior girls ran the Women's Forum Club at my school and hosted talks on feminism, but then would call me a whore at parties.

I was confident, but not to the point of, 'I'm fine — you're just stupid. A lot of it was my own paranoia — it felt like people were talking about me all the time.

And then there were those instances where I'd be washing my hands in the bathroom, and a girl would stare at me with her arms crossed, not saying anything.

Or, the groups of older girls would blatantly ignore me when I showed up at parties. I felt this awkward tension everywhere and started having anxiety.

I also lost my work ethic. I go to a very good private school and my teachers expect me to do well, so they were perplexed when I stopped turning in assignments.

A few gave me extra chances — one even let me turn in a major assignment late, but I just could not sit down and do the work. I was a mess. That year, I failed history and Spanish.

My mom saw I was struggling. She's a strong feminist. I finally confided in her about what was happening. She said, "If you went into having sex feeling confident, there's no reason why you should change your perspective now.

I didn't do anything wrong. I never felt that internal turmoil. She was like, "It's your life. It's your body. It's your sexuality.

I'm in a theater group called The Arts Effect that also really helped me understand my feelings. Sex is so stigmatized at my high school — everyone is doing it, but no one talks about it in a real way.

I never had a chance to really break down how I was feeling about losing my virginity or being slut-shamed until we started to work on a play about slut culture.

Katie Cappiello and Meg McInerny started The Arts Effect specifically to work with young girls about issues like these that affect them.

We create scripts based on topics that teen girls relate to and then develop them into plays by discussing and debating these ideas.

My sophomore year, conversations around sex were really prevalent in my theater group— cast members and friends had experienced sexual violence.

It was very real, and Slut the Play started with these conversations and grew into a play about a girl called Joey who is raped by two friends in the back of a cab on her way to a party, and the fall out from that.

I was cast as Joey. I had never been sexually assaulted, but I'd certainly felt betrayed, and violated. I'd also been uncomfortable while hooking up with certain guys.

I didn't say no, but was like, 'When is this going to be over? This is awful. I thought it was easier than saying, "Can you stop?

I'm going to leave now. I remember thinking like, 'Oh my God! He doesn't even care that I'm not into it!

This never happened with Sean though — I really liked hooking up with him, and always felt really respected when we were together that way.

But I had hooked up with enough boys to realize that my experience with him was unique. My experience with Dave was not unique — it's part of the slut-shaming world we live in, and working on the play helped me see this.

Joey feels used, disempowered, violated, and misunderstood. Even though I was never sexually assaulted, I connected to Joey's emotions rather than her specific experiences.

So many girls have told me they feel the same way. It validates their experiences in a way that society won't.

The process of talking about what happened to Joey and breaking it apart with the group, like "Wow, why does this suck so much? I really wanted to have sex, and now I really feel s about it.

I started to feel confident in my right and ability to take ownership of my decisions and not feel badly about them.

It also helped me become dismissive of the people that hurt my feelings. The first performance of Slut was that summer, right before I started junior year.

I was nervous. It's 86 pages of text, and I'm on stage throughout the entire hour-and-a-half production. I was still feeling really jittery about what had happened at school and suddenly there were these posters of my face with the word "slut" over my mouth.

I was so humiliated by the whole experience that I did not share the posters on Facebook or Instagram even though were were supposed to help promote the play.

So stop. I was also embarrassed about my friends coming to see it that first time, which was weird. But they all loved it. Some have seen it six times!

Sean came — and he loved it, too. He even cried. I think seeing me in the play helped him understand what happened to me — and how it made me feel.

We continued to see each other, and he was more open with people about our relationship, which was great. He's in college now but we still talk and see one another when he comes home.

I've done the play a dozen times now. The girls who come see the play identify with it — but the boys are truly shocked and transformed the first time they see it.

Boys don't get slut-shamed or sexually assaulted — at least not at my school. So when they see it happening up on the stage, they understand what it's really like for girls living in a slut-shaming culture.

After seeing it for the first time, my guy friends were really uncomfortable with me. They didn't really know what to say.

When I asked one what he thought, he said, "I feel really, like… I feel like I've f up. A lot of kids from my school came to see it — they know me, and my reputation.

I think I gained a lot of respect as a result of this play. The play empowered me. It gave me a voice — the best counterattack to slut-shaming.

Slut-shaming is part of rape culture — it's all connected. I was very quiet. He pulled out a big juicy steak, my mouth watered for it.

I ate it all. We finished off with a exlax pill. Then a bottle of warm milk nursed on his lap. After all that he made me burp and carried me to a caged hospital crib.

I wonder where he got all this in such a short time. He put me in it, locked me up, and sat on a chair facing it.

As if to see a show. Just then my stomach growled loud, and I got a cramp. He smiled at me, when I gave the baby impression.

I reached to take them off, no way was I gonna poop myself. I reached for the straps to find none. I felt around to find a key hole in the back. I was doomed… I tried my best to hold it in..

But no use. There was a giant explosion! Then even more poop pushed its way out. This had been the heaviest load I had ever given… My daddy must of made sure of that.

I began to cry when I realized the diaper was now brown and sagging this new steamy load. I thought daddy would change me instead he flicked off the lights laughing.

I woke up almost forgotten I was in a giant load of mess. I had to pee bad, I gave up and let it out. My diaper leaked a little.

I waited for an hour but no one showed up. So I fell back asleep… I woke up with a pair of plastic pants over this dirtied diaper.

Daddy must of saw my leak. He left a note. I'll be back around PM. I looked at the clock it was PM. I began to cry when I spoon fed myself the peas.

And drank my milk, It tasted really funny. Oh well. About an hour later I had to pee, I let it out. Then came another cramp. No wonder the milk tasted funny.

I barely resisted to go, I knew it would happen anyway's. I let out yet another large load. Actually not that bad, fun to sit in-NO!

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【東方ボーカル】 「タイニーリトル・アジアンタム」 【ShibayanRecords】 【Subbed】

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