Lea seydoux blue is the warmest color gif

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Lea Seydoux Blue Is The Warmest Color Gif Video

DP/30 @ TIFF '13: Léa Seydoux \u0026 Adèle Exarchopoulos in Blue Is The Warmest Color

Lea Seydoux Blue Is The Warmest Color Gif - Aktuelle Kino-News

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But for me it is more difficult to show my feelings than my body. Kechiche has not taken kindly to the actresses remakes , especially the comments from Seydoux.

How, when you are adored, when you go up on red carpet, when we receive awards, how we can speak of suffering?

According to the director, the post-production controversy surrounding the film has sullied the entire experience, including the film's Palme d'Or win at this year's Cannes Film Festival.

I felt a rejection of me, I live like a curse. For more on "Blue Is The Warmest Color," including how Kechiche wanted his actors drinking real alcohol when the scene required it so as to not feel like a "fabrication," according to Exarchopoulos , head to The Independent.

US Edition U. Coronavirus News U. Production began in March and lasted six months. Approximately hours of footage was shot, including extensive B-roll footage, with Kechiche ultimately trimming the final cut of the film down to minutes.

It is the first film to have the Palme d'Or awarded to both the director and the lead actresses, with Seydoux and Exarchopoulos joining Jane Campion The Piano as the only women to have won the award.

She later dates and sleeps with a boy from school named Thomas, but she is ultimately dissatisfied and breaks off their relationship.

After having vivid fantasies about the woman she saw on the street and having one of her female friends kiss her, she becomes troubled about her sexual identity.

Her best friend, the openly gay Valentin, seems to understand her confusion and takes her to a gay dance bar. The woman is Emma, a graduating art student.

They become friends and begin to spend more time with each other. Despite the backlash, she becomes close to Emma.

Their bond increases and before long, the two share a kiss at a picnic. They later have sex and begin a passionate relationship.

In the years that follow, the two women move in and live with each other. It gradually becomes increasingly apparent how little they have in common, and emotional complexities manifest in the relationship.

The two eventually meet again in a restaurant. Emma admits that she does not feel sexually fulfilled but has accepted it as a part of her new phase in life.

The two part on amicable terms. Hanging on one wall is a nude painting that Emma once did of her during the sensual bloom of their life together.

Though Emma acknowledges her, her attention is primarily on the gallery's other guests and Lise. Lesbian sexuality is one of the strongest themes of the film, as the narrative deals mainly with Adele's exploration of her identity in this context.

However, the film's treatment of lesbian sexuality has been questioned by academics, due to its being directed from a straight, male perspective.

As with many male fantasies of lesbianism, the film centers on the erotic success and effective failures of relations between women". Jones, who points out that "Emma's supposedly sophisticated friends make eager remarks about art and female sexuality that seem to mirror the director's problematic approach toward the representation of women".

Additionally, he looks at how food can be seen as an indicator of social class. Director and screenwriter Abdellatif Kechiche developed the premise for Blue Is the Warmest Colour while directing his second feature film, Games of Love and Chance He met teachers "who felt very strongly about reading, painting, writing" and it inspired him to develop a script which charts the personal life and career of a female French teacher.

However, the concept was only finalized a few years later when Kechiche chanced upon Julie Maroh's graphic novel, and he saw how he could link his screenplay about a school teacher with Maroh's love story between two young women.

Further themes are explored in Maroh's novel, such as addiction to prescription pills. Regarding his intention to portray young people, Kechiche claimed: "I almost wish I was born now, because young people seem to be much more beautiful and brighter than my generation.

I want to pay them tribute. I had taken her for lunch at a brasserie. She ordered lemon tart and when I saw the way she ate it I thought, 'It's her!

Kechiche felt that Seydoux "shared her character's beauty, voice, intelligence and freedom" and that she has "something of an Arabic soul".

He added on saying, "What was decisive during our meeting was her take on society: She's very much tuned in to the world around her. She possesses a real social awareness, she has a real engagement with the world, very similar to my own.

I was able to realise to how great an extent, as I spent a whole year with her between the time she was chosen for the role and the end of shooting.

We would spend hours talking about women and life; I also took painting and sculpting lessons, and read a lot about art and philosophy. In terms of cinematography , the shot reverse shot scenes in the film were simultaneously shot with two different cameras.

For Kechiche , this technique not only facilitates editing but also adds beauty to the scene which feels more truthful.

According to the report, members of the crew said the production occurred in a "heavy" atmosphere with behavior close to "moral harassment," which led some members of the crew and workers to quit.

They described the experience as "horrible," and said they would not work with him again. For me, a shoot is a human adventure, and in every adventure you have some conflict.

It was hard to film it and maybe people think I was complaining and being spoiled, but that's not it. I just said it was hard.

The truth is it was extremely hard but that's OK. I don't mind that it was hard. I like to be tested. Life is much harder. He's a very honest director and I love his cinema.

I really like him as a director. The way he treats us? So what! In September , Kechiche stated that the film should not be released.

The film portrays Adele and Emma's relationship with an overarching sense of realism. The camerawork, along with many of Kechiche's directorial decisions allow a true-to-life feel for the film, which in turn has led to audiences reading the film with meaning that they can derive from their own personal experiences.

Kechiche removes the barriers that separate us from them. He brings the camera so close to the faces of his actresses that he seems to be trying to make their flesh more familiar to us than his own.

Blue Is the Warmest Colour is also filled with visual symbolism. It received a standing ovation and ranked highest in critics' polls at the festival.

The film was screened at more than territories [52] and was commercially released on 9 October in France by Wild Bunch with a "12" rating.

It had a limited release at four theatres in New York City and Los Angeles on 25 October , and expanded gradually in subsequent weeks.

The distributor is struggling to reverse this situation. It took the fourth spot in its first weekend, which was seen as a "notably good showing because of its nearly three-hour length".

The film had a limited release in the U. The site's critical consensus is: "Raw, honest, powerfully acted, and deliciously intense, Blue Is the Warmest Colour offers some of modern cinema's most elegantly composed, emotionally absorbing drama.

More than 40 critics named the film as one of the ten best of He wrote: "Kechiche's film is three hours long, and the only problem with that running time is that I could have happily watched it for another seven.

Andrew Chan of the Film Critics Circle of Australia writes, "Not unlike Wong Kar-wai 's most matured effort in cinema, Happy Together , director Abdellatif Kechiche knows love and relationship well and the details he goes about everything is almost breathtaking to endure.

Retrieved 24 August Sight and Sound. Retrieved 18 February Film Comment. Retrieved 19 February Retrieved 22 February Icon Cinema.

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Daily News. New York. Retrieved 18 January Archived from the original on 29 January Retrieved 19 December Los Angeles Times. Retrieved 27 October Retrieved 21 August The Guardian.

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1 comments

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