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She had stolen cars and failed to appear in court. These charges followed her. When she, who we will now call he, arrived in Falls City, he fit in with a group of people and became one of the gang rather quickly.

It is in this group that Brandon meets a girl who becomes his girlfriend almost immediately. Brandon has an advantage over the other guys, he knows literally what a woman wants.

This is how he wins out with Lana. When Brandon ends up in jail on a traffic violation, his secret is revealed, as Lana visits him in the womens cells.

She accepts the secret, loving Brandon even though he is a she. When John and Tom find out they feel betrayed by Brandon. They humiliate Brandon and make him strip in front of them.

When they discover the rumour is true they take him out in the car and bash and rape him. The scene is very graphic and very real.

Brandon goes to the police, the police victimise him. And because of this, he ends up dead a few days later. In addition to this true story, news just recently revealed that the police were negligent in the case of Teena Brandon and if they had acted as they should, Teena may still be alive today.

They should have taken John and Tom into custody, meaning they would not have been able to kill Teena Brandon. John and Tom ended up being arrested and charged with the brutal double- murder of Brandon and Lana.

One of them is on death row and the other has been sentenced to life in prison. The film was produced on a limited budget.

You can tell this by looking at the scenes and the camera work. But the acting is that of a multi-million dollar film.

If you wish to delve into the darker side of human nature, then watch this movie. Watching the ignorance, combined with the fear and jealousy resulting in murder, is chilling to the bone, this movie is only for the emotionally robust.

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Football Essays. Swank was chosen because her personality seemed similar to Teena's. Most of the film's characters were based on real-life people; others were composites.

Filming occurred during October and November in the Dallas, Texas area. The producers initially wanted to film in Falls City, Nebraska , where the real-life events had taken place; however, budget constraints meant that principal photography had to occur in Texas.

The film's cinematography uses dim and artificial lighting throughout and was influenced by a variety of styles, including neorealism and the films of Martin Scorsese , while the soundtrack consisted primarily of country , blues , and rock music.

The film's themes include the nature of romantic and platonic relationships, the causes of violence against LGBT people , especially transgender people, and the relationship among social class , race , and gender.

The film premiered at the New York Film Festival on October 8, , before appearing at various other film festivals. Distributed by Fox Searchlight Pictures , the film received a limited release in the United States on October 22, , and it performed well at the North American box office, gaining three times its production budget by May The film was acclaimed by critics, with many ranking it as one of the best films of the year; praise focused on the lead performances by Swank and Sevigny as well as the film's depiction of its subject matter.

However, some people who had been involved with Brandon in real life criticized the film for not portraying the events accurately. Boys Don't Cry , which dealt with controversial issues, [4] was initially assigned an NC rating but was later reclassified to an R rating.

It was released on home video in September In , the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

Brandon Teena is a young trans man whose birth name was Teena Renae Brandon. Soon after, he is involved in a bar fight and is evicted from his cousin's trailer.

Brandon becomes romantically involved with Lana, who is initially unaware both of his actual anatomy and his troubled past.

The two make plans to move to Memphis , where Brandon will manage Lana's karaoke singing career. Eventually, they kiss during a date night which ends with them having sex.

The police detain Brandon on charges that arose prior to his relocation; they place him in the women's section of the Falls City prison.

Lana bails Brandon out and asks why he was placed in a women's prison. Brandon attempts to lie to her, saying he was born intersex in the movie said " hermaphrodite " and will soon receive genital reconstruction surgery, but Lana stops him, declaring her love for Brandon regardless of his gender.

However, while Brandon is in prison, Candace finds a number of documents listing Brandon's birth name, Teena Brandon, and she and her friends react to this news with shock and disgust.

They enter Brandon's room, search among Brandon's things, and discover some transgender literature that confirms their suspicions.

Tom and John violently confront Brandon, forcing him to remove his pants and reveal his genitals. They try to make Lana look, but she shields her eyes and turns away.

After this confrontation, Tom and John drag Brandon into John's car and drive to an isolated location, where they brutally beat and gang rape him.

Afterwards, they take Brandon to Tom's house. Though injured, Brandon escapes through a bathroom window. Although his assailants threaten Brandon and warn him not to report the attack to the police, Lana persuades him to do so.

However, the police chief proves to be less concerned with the crime than with Brandon's "sexual identity crisis.

Later, John and Tom get drunk and drive to Candace's house. Lana attempts to stop them, but they find Brandon, who has been hiding in a nearby shed.

John shoots Brandon under the chin, killing him instantly. Tom shoots Candace in the head as Lana fights with them, begging them to stop. Tom stabs Brandon's lifeless body.

John and Tom flee the scene while a crying Lana lies with Brandon's body. The next morning, Lana awakens next to Brandon's corpse. Her mother arrives and takes her away from the scene.

As Lana leaves Falls City, a letter Brandon wrote to her is heard in a voiceover. Brandon Teena was a trans man who was gang raped and murdered by a group of male acquaintances in December , when he was With the intensity of his desire to turn himself into a boy, the fact that he did it with no role models.

The leap of imagination that this person took was completely overwhelming to me. Peirce wanted to tell the story from Brandon's perspective.

She was familiar with Brandon's desire to wear men's clothing: "I started looking at all the other coverage and a great deal of it was sensational.

People were focusing on the spectacle of a girl who had passed as a boy because that is so unfamiliar to so many people.

Where to me, I knew girls who had passed as boys, so Brandon was not some weird person to me. Brandon was a very familiar person.

The project drew interest from various production companies. Diane Keaton 's production company, Blue Relief, showed interest in the screenplay in the mids.

Initially, the film was to be largely based on Aphrodite Jones ' true crime book All She Wanted , which told the story of Brandon's final few weeks.

However, Peirce modified the script to fit her vision to focus on the relationship between Brandon and his year-old girlfriend Lana Tisdel, which Peirce termed a "great love story", [12] [19] in contrast to All She Wanted , which did not place an emphasis on the relationship.

To fund the writing and development of the project, Peirce worked as a paralegal on a midnight shift and as a 35mm film projectionist; she also received a grant from the New York Foundation for the Arts.

They worked together for 18 months on the final drafts and were careful not to "mythologize" Brandon; the aim was to keep him as human as possible.

Prior to filming, Peirce researched the facts by interviewing the people surrounding the case. She met Lana Tisdel at a convenience store and interviewed her at Tisdel's home.

However, she was unable to interview Brandon's mother or any of his biological family. The filmmakers retained the names of most of the case's real-life protagonists, but the names of several supporting characters were altered.

For example, the character of Candace was named Lisa Lambert in real life. Peirce said the LGBT community was very interested in the project because of the publicity surrounding the murder.

At one point, the project was nearly abandoned because Peirce was not satisfied with most of the people who auditioned.

Swank said that like Brandon she was 21 years of age. When Peirce later confronted her about her lie, Swank responded, "But that's what Brandon would do".

Peirce required that Swank "make a full transformation" into a male. Her masquerade was convincing; Swank's neighbors believed the "young man" coming and going from her home was Swank's visiting brother.

She reduced her body fat to seven percent to accentuate her facial structure and refused to let the cast and crew see her out of costume.

When I saw that, and her confidence and wit, I thought: if she could flirt with Brandon and the audience in that way, that's exactly what we need for Lana.

I said to her, "Will you please audition to play Lana? Sevigny dyed her hair red for the role to match Lana's strawberry blonde hair.

She watched videos of Lana. She just became her very naturally. Sarsgaard was one of the first choices for the role. He later said he wanted his character to be "likable, sympathetic even", because he wanted the audience "to understand why they would hang out with me.

If my character wasn't necessarily likable, I wanted him to be charismatic enough that you weren't going to have a dull time if you were with him.

I felt like I was just like the sheriff, y'know, and that everyone loved me. Initially, Boys Don't Cry was scheduled to film for thirty days.

The small budget dictated some of the filming decisions, including the omission of some incidents to speed up the overall pacing. Timing constraints and Peirce's visions relating to the plot limited what could be achieved with the narrative.

At the time, he had been dating Lana Tisdel's sister, Leslie, who was omitted from the story. Most of the incidents in the case took place in Falls City, Nebraska , [48] [49] but budget constraints led the filmmakers to choose locations in Texas.

Peirce initially wanted to shoot in Falls City, but Vachon told her that filming there would not be possible. I wanted the audience to enter deeply into this place, this character, so they could entertain these contradictions in Brandon's own mind and would not think he was crazy, would not think he was lying, but would see him as more deeply human".

Some scenes in Boys Don't Cry required emotional and physical intensity; these were allocated extended periods of filming.

The scene in which Brandon, at the wishes of his friends, bumper-skis on the back of a pickup truck, was delayed when a police officer, just arriving at a shift change, required a large lighting crane to be moved from one side of the road to the other.

The scenes took six hours to shoot and were filmed at sunrise, resulting in a blue sky being seen in the background.

Swank required a stunt double for a scene in which she falls off the back of a truck. Teena's rape scene was given an extended filming time; Sexton, who portrayed one of the attackers, walked away in tears afterward.

When scenes became difficult, Swank requested the company of her husband on set. Peirce, who had originally sought a career in photography before moving into filmmaking, applied techniques she had learned into the film.

As a way to further incorporate the sense of artificial night, John Pirozzi, who had been experimenting with time-lapse photography using a non-motion-controlled moving camera, was invited to create the transition shots seen throughout the film.

The film's visual style depicts the Midwestern United States in a "withdrawn", [51] dark and understated light to give a "surreal" effect.

The film was shot with a Moviecam Compact camera fitted with Carl Zeiss super speed lenses. For the scene in which Brandon is stripped, a hand-held camera was used to give a sense of subjectivity and intimacy.

The use of low natural light and heavy artificial light is illustrated early in the film in the opening roller rink scene in which Brandon pursues his first relationship with a young woman.

For this scene, Peirce used a three-shot method similar to that used in a scene in The Wizard of Oz in which Dorothy leaves her house and enters Oz.

Some scenes were given a prolonged shooting sequence to induce a feeling of hallucination. An example is the sequence in which Brandon and Lana first have sex, followed by a shot of her, Brandon, Candace, and Kate driving in a car against a city skyline backdrop.

The scene took an hour and a half to film in total. Peirce drew inspiration from the filming style of John Cassavetes and the early work of Martin Scorsese , and she incorporated neo-realist techniques into the film.

Because the film is set in the rural Midwestern United States, the Boys Don't Cry soundtrack album features a compilation of country, blues and rock music.

Nathan Larson and Nina Persson of The Cardigans composed an instrumental version of Restless Heart 's country-pop song " The Bluest Eyes in Texas ", a variation of which was used as the film's love theme and score.

The title of the film is taken from the song of the same name by British rock band The Cure. An American cover of the song, sung by Nathan Larson, plays in the background in the scene in which Lana bails Brandon out of jail and during one of their sex scenes.

However, the song is not included on the released soundtrack. The soundtrack was released on November 23, , by Koch Records. Boys Don't Cry has been widely discussed and analyzed by scholars and others.

Roger Ebert described the film as a "romantic tragedy" embedded in a working class American setting, calling it " Romeo and Juliet set in a Nebraska trailer park".

Christine Vachon, the film's executive producer, said, "It's not just about two stupid thugs who killed somebody. It's about these guys whose world is so tenuous and so fragile that they can't stand to have any of their beliefs shattered", referring to John and Tom's views of their lives, Brandon's aspirations and his biological sex.

Several scholars commented on the relationship between Brandon and Lana as well as Brandon's relationship to John and Tom. Carol Siegel regarded the film as a thematically rich love story between two ill-fated lovers, similar to Romeo and Juliet.

This tragic aspect of the love story led Halberstam to compare Brandon and Lana's relationship and subsequent drama to classic and modern romances including Romeo and Juliet , often using the term star-crossed lovers.

She opined that Brandon wanted to create close relationships, but he could not due to his transgender status until he became close with Lana. He consistently faces a sense of fear related to the power-over dynamics that he and others who are transsexual face…Brandon experiences the central relational paradox, in which he yearns for connection; however, due to the real threat he faces, he is unable to make that connection.

Myra Hird, in the International Feminist Journal of Politics , argued that John and Brandon exemplify two different and contrasting types of masculinity, and that Brandon's version is preferred by the film's female characters, comparing them to Arnold Schwarzenegger and Jimmy Stewart , respectively.

John cannot abide Brandon's desire, and clear ability, to access male privilege , and his reaction is to force Brandon to be female through the act of rape.

Other commentators discussed the more complex psychological causes of Brandon's murder. Halberstam commented on the complicated causes of the murder, and whether it was due to transphobia or homophobia : "Ultimately in Boys [ Don't Cry ], the double vision of the transgender subject gives way to the universal vision of humanism, the transgender man and his lover become lesbians and the murder seems instead to be the outcome of vicious homophobic rage.

In the same journal, Julianne Pidduck commented on the film's rape and murder scenes, "Effectively, the viewer is asked to experience the rape from the victim's point of view.

An allegiance with Brandon's outsider status aligns the viewer with Brandon's initial exhilaration at his transgressive success as a boy, drawing us through to the film's disturbing finale.

Many scholars addressed the various performances of gender by the characters in the film; Moss and Lynne Zeavin offered a psychoanalytic analysis, [nb 2] calling the film a "case report" that "presents [Brandon's] transsexual inclinations as a series of euphoric conquests" and "focuses on a range of anxious reactions to her [ sic ] transsexuality.

In her film, Pierce [ sic ] inserts the unconventional problems of transsexuality into a conventional narrative structure.

Throughout the film Brandon is presented as a doomed, though beguiling and beautiful rascal, recognizably located in the lineage of well-known cinematic bad-boys like James Dean, Steve McQueen, and Paul Newman.

Like these predecessors, Brandon's heroic stature derives from her [ sic ] unwillingness to compromise her [ sic ] identity … Pierce [ sic ] presents Brandon's struggles against biological determinism as the struggles of a dignified renegade.

Brenda Cooper, in Critical Studies in Media Communication , argued that the film "can be read as a liberatory narrative that queers the centers of heteronormativity and hegemonic masculinity by privileging female masculinity and celebrating its differences from heterosexual norms.

But Lana falls for Brandon because of his version of masculinity, which contradicts and challenges traditional assumptions about what it takes to be a man and to please a woman.

Jennifer Esposito wrote that "We watch onscreen as Brandon binds his breasts, packs a dildo , fixes his hair in a mirror.

His masculinity is carefully scripted. John and Tom…are never shown preparing for masculinity. They are already masculine. In contrast, Annabelle Wilcox opined that the film primarily reinforced the gender binary by showing that "Brandon's body is branded by such rhetoric and representation, and is assumed to be a site of 'truth' that closes the question that being transgender poses for subjectivity, gender, and sexuality.

In addition, she regarded John and Tom's rape of Brandon as an attempt to psychologically castrate him. In another piece, Halberstam compared the media portrayal of Brandon to that of Billy Tipton , a jazz musician who no one knew was transgender until the post-mortem discovery that he was assigned female at birth.

She wrote, "On some level Brandon's story, while cleaving to its own specificity, needs to remain an open narrative—not a stable narrative of FTM transsexual identity nor a singular tale of queer bashing, not a cautionary fable about the violence of rural America nor an advertisement for urban organizations of queer community; like the narrative of Billy Tipton, Brandon's story permits a dream of transformation.

Lisa Henderson commented on the intersection between social class and gender in the film, particularly Brandon's working-class status: "My reading of Boys [ Don't Cry ] through the lens of class representation is not born of a univocal search for so-called positive images, but I do recoil at what appears to me to be a new instalment in a long history of popular images of working-class pathology.

Within this universe of feeling and reaction structured by lack and tinted blue by country lyrics and a protective and threatening night-time light, characters imbricate gender and class through their longings for love, acceptance and a better life.

Jennifer Devere Brody commented on the film's exclusion of Philip DeVine, a disabled African-American man who was another victim of the shooting.

But the effects are familiar ones in the history of racist representations. The erasure of DeVine from the narrative places the white female bodies as the only true victims of crime; and the film's inability to show DeVine as violated rather than violator perpetuates the myth of the black man as always already a perpetrator of crime.

Race is not incidental to this narrative of mostly white, Midwestern small towns and by omitting DeVine's story from Boys Don't Cry , Peirce contributes to the detachment of transgender narratives from narratives about race, consigning the memory of DeVine to oblivion.

Several authors commented on the possible impact that the film's setting of Falls City, Nebraska, located in the Midwestern United States, could have had on the film's plot.

Maslin called Boys Don't Cry a tale of a trapped, small town character's search for life beyond the rural existence and the high price he pays for his view of the "American dream".

Some of these narratives are narratives of hate, some of desire; others tell of ignorance and brutality; still others of isolation and fear; some allow violence and ignorant prejudices to become the essence of white poor rural identity; still others provoke questions about the deployment of whiteness and the regulation of violence.

Christina Dando wrote that the typical portrayal of the Midwest as a "frontier" area did not come through in the film until the setting switched from Lincoln to Falls City: "The flat landscape, the spacious sky, the home, evoke two different Plains time periods familiar to many Americans through historic photographs: the early settlement process…and s Farm Security Administration photographs.

It is virtually timeless. There is also a sense of both place and placelessness. While the landscape is distinctively Plains, it could be described as nowhere.

She went on to argue that the setting is not only conveyed visually, but also through the characters' homes. There are no complete families, only the family that that has been created.

The men appear to have no homes, relationally or physically: none are shown to have family. The Plains frontier landscape as it is constructed in Boys Don't Cry is dark, literally and figuratively.

Most of the scenes are set at night, utilizing night Plains skies with time-lapse clouds, heightening the isolation.

Film frames of placeless and timeless. The community also is dark. It is marginal, just managing to get along, and in the end deadly. While the classic Western dichotomy of men associated with exteriors and women with interiors is apparent, so too is Brandon's border-crossing.

He appears to be able to easily handle both landscapes, yet belong to neither. At that time, the film was still called Take It Like a Man. However, this number increased to nearly by March By May , it had a U.

Critics lauded Boys Don't Cry upon its release, with many calling it one of the best films of the year. Critics often praised the performances by Swank and Sevigny; Peter Travers said the pair "give performances that burn in the memory", [99] and The Film Stage termed Swank's performance "one of the greatest" Best Actress Oscar-winning performances.

Berardinelli wrote that Swank "gives the performance of her career" and that "Sevigny's performance is more conventional than Swank's, but no less effective.

She provides the counterbalance to the tide of hatred that drowns the last act of the film. It's as if we were simply glimpsing the character's soul, in all its yearning and conflicted beauty.

Other reviewers were positive towards the way Boys Don't Cry portrayed its subject matter. Maslin said, "unlike most films about mind-numbing tragedy, this one manages to be full of hope".

She wrote, "Peirce Zacharek described Swank's performance as "a continual revelation" and Sevigny's performance as "transformative". The film was not without detractors, who focused on the film's portrayal of Brandon and his actions.

Richard Corliss of Time magazine was one of the film's negative reviewers; he wrote, "the film lets down the material.

It's too cool: all attitude, no sizzle". The film was generally well-received by the LGBT community. Boys Don't Cry ' s release came a year after the murder of a homosexual teenager, Matthew Shepard , [] which occurred October 12, The murder sparked additional public interest in hate crime legislation in America and in Brandon Teena, and increased public interest in Boys Don't Cry.

Howey said, "Even a cursory glance at reviews of Boys Don't Cry reveals that while most critics admired the film, few absorbed its main point: that Brandon Teena was a biological girl who felt innately that she was a man.

Most of the media instead cast Teena as a Yentl for the new millennium, rather than a victim of anti-transgender bigotry.

The accuracy of Boys Don't Cry was disputed by real-life people involved in the murder. The real Lana Tisdel declared her dislike for the film; she said Brandon never proposed to her and that when she discovered Brandon was transgender, she ended the relationship.

Tisdel disliked the way she was portrayed in the film, and called the film the "second murder of Brandon Teena". It was just weird.

Lana Tisdel's potential involvement in the rape and murder of Brandon Teena was also highlighted. Various people involved in the case, particularly Brandon's family, have alleged that Tisdel was somehow involved with the murders, or had at least set them up in an act of vengeance.

Perhaps the most notable admission about Tisdel's motives came from Tom Nissen, who infamously confessed that Tisdel was present at the time of the murders in the car and had even tried knocking on the door of the farmhouse where Brandon, Lambert and DeVine were staying.

The film won a variety of awards, most of which went to Swank for her performance. The family of Brandon Teena criticized Swank for her repeated use of the male gender pronoun "he" in her Oscar acceptance speech.

Teena's mother JoAnn Brandon said her child's transgenderism was a defense mechanism that was developed in response to childhood sexual abuse, rather than being an expression of Teena's gendered sense of self.

She said, "She pretended she was a man so no other man could touch her". Boys Don't Cry garnered significant attention for its graphic rape scene.

Peirce was angry because the MPAA wanted the sex scene between Brandon and Lana removed but was satisfied with the level of brutality in the murder scene.

From Wikipedia, the free encyclopedia. For the Polish film, see Boys Don't Cry film. Theatrical release poster.

Tracey Granger Lee Percy. Further information: Brandon Teena. Unlike most films about mind-numbing tragedy, this one manages to be full of hope.

Main article: List of accolades received by Boys Don't Cry film. British Board of Film Classification. November 9,

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